Just a Bit of Quilting Done

I haven’t had much time to quilt in the last week, so all I got done was the center section of this quilt.  With the background fill quilting done, you can see that the feathers are nice and plump because of the trapunto layer beneath them:

Here is a close-up shot of the background fill design:

This design has a lot of movement to it and it’s accentuated here by using a thread with subtle variegation.  You may remember this design from this earlier shot:

But this was the first opportunity I’ve had to use it in a “real” quilt.  It was very fun to stitch, but I kind of got into a “zone” and wasn’t paying attention and ended up sewing part of the top to itself where the quilt had doubled over on itself on the backside:

Fortunately, it only caught some of the batting, so I was able to pull all that out without having to rip out any stitching.  Phew!!

Filed under Free Motion Embroidery, Free Motion Quilting, Machine Embroidered Applique, Trapunto . 5 Comments

Quilting on my Newest Quilt Project

I’m still outlining all the applique shapes on the tulip quilt with invisible thread, and I’ve also just started the quilting on my newest quilt, which is a learning tool for me to develop some machine embroidery skills.  Here it lies on the floor of my sewing room:

I made the center by doing the embroidery on a red appliqued circle in the center of my blue block. Here’s a closeup:

It never would have occurred to me that one could adapt a traditional embroidery file into an applique design, but I learned about it by reading the Why Machine Embroidery blog and you can find it right here. I have learned a ton and been inspired a ton by this blog, so if machine embroidery is starting to become intriguing to you, start reading this blog! Anyway, my circle was not perfectly centered for the embroidery, so the edges of my circle weren’t quite right. If you look closely, you’ll see the problem. I tried to cover it up/distract the viewer by using a product called Hot Ribbon Art. It comes in all kinds of colors and comes as very narrow (I believe they are 1/8 in wide) slices of ribbon backed by fusible web, and you attach them with a clover mini iron. It was super easy to do this around a circle. Anyway, that’s the blue edge finishing with a sheen around the perimeter of the center circle. (If you were trying to really jazz up your piece, you might choose a contrasting color. As I was trying to cover up a mistake, I chose a matching color!)

Next, I embroidered all my feathers onto water soluble stabilizer. Once done, I trimmed the stabilizer and then dropped them into a cup of water like this:

(Do you see that “film” around the edges? That’s the water soluble stabilizer and it all dissolves in the water.) Once I dried all my feathers, I had a nice pile of feathers, all ready to be placed where I wanted:

There was still some remaining fusible web on the back of each feather, so I fused them into place on the quilt top. I wanted to trapunto those feathers, so I placed a layer of batting behind each one and then free motion attached them to the top using invisible thread (Monopoly by Superior Threads) in my top needle. Once I cut away the excess batting from the backside, here’s what it looked like:

(Notice that the center also has a layer of trapunto…I did that by placing a batting layer in the hoop when I embroidered that center circle at the very beginning.) Once I pieced the rest of the top, I placed it all into the final quilt sandwich and started the quilting part. I wanted to create some additional texture in that center circle, so I preferentially outlined certain stitching zones within it. I did this using Invisifil Thread by Wonderfil Threads. I chose it instead of the Monopoly because the sheen of the Monopoly would make the “invisible thread” very “visible” in this setting:

By using an ultralightweight thread here, and matching the color fairly closely to the background color, you can hardly see that thread unless you’re actively searching for it. My pictures don’t show the textures created by this internal stitching, but it’s added a nice depth to the center:

…and this photo kind of shoes how “plumped up” the feathers are:

More to follow as I get further into the quilting!

Filed under Free Motion Embroidery, Machine Embroidered Applique, Trapunto . 7 Comments

Spinning My Wheels

My hands have been in so many different projects over the last 5 days that even I am dizzy!  I am scrambling to get some large volume dyeing completed before the weather turns too cold.  I can dye all winter in the garage, but I need lots of larger yardage pieces (i.e. at least 2 yards each) and there isn’t space to dye large yardages unless I’m working outside.  These are Egyptian cottons that are great for piecing and every once in awhile I’m throwing in a  smaller piece of another fabric type to use up the end of a dye color:

I finished all the free motion embroidery and trapunto on the tulip quilt about 1 1/2 weeks ago and had to wait to bring it to NC so I could spray baste it.  Here’s a shot of the backside (the colors are very washed out looking as these are all printed commercial fabrics) and you can see that there’s a lot of trapunto.  Every applique shape except for the stems are trapuntoed, and those are free motion embroidered.  I used 5 different types of batting for the various trapunto shapes:

I’ve just begun the first phase of the quilting, and this involves zipping around all the applique pieces with invisible thread (Monopoly by Superior Threads).  I always find this phase very relaxing and it gets my head in a very good place.  One of the battings I used was a thin fleece batting and I am loving the texture it creates.  You can get a bit of a feel of the trapunto effect on this wreath, and remember, I have done no background quilting at all here, and that will make all trapunto more pronounced:

The other thing I have been doing is spending loads of time trying to teach myself how to digitize.  I am not a computer person at all, but I can’t believe how much I’ve learned!  I know that many quilters really have no interest in machine embroidery, but all I can say is you have no idea what you are missing out on!  For myself, I really think that a melding of my free motion work + machine embroidered applique=incredibly exciting horizons for my future!  Here’s  a peak into what machine embroidery can do for my feathers…wonder where these babies will end up?

Stay tuned!  I’m hoping to have my first machine embroidered applique quilt pieced in the next few days!

Filed under Fabric Dyeing, Machine Embroidered Applique, Trapunto . 8 Comments

The Power of the Thin Black Line

Can you see how the thin black thread line that outlines all the pieces of this applique really adds a nice definition to this quilt?  It’s just like the narrow black outline that we see so often in line drawings, and it’s stitched here using a very heavy black cotton thread.  Most of the time, I outline with invisible thread, but sometimes, adding that thin black line can really add a cool intricacy to a design.

A couple years back, I started a large applique quilt that featured giant-sized Queen Anne’s lace.  I mean really over-sized Queen Anne’s lace, like each one is many feet long.  I wanted to add a thin black line to each of the applique shapes, except on that scale, that thin black line really needed to be a satin stitch that was fairly wide.  I put many feet of temporary stabilizer behind the quilt top and started embroidering it.  This first shot shows part of one of the flowers before I’d added the black line:

…and this next shot gives you a bit of a sense of how that black line helps define shapes:

Here’s a close up of part of the black-outlined Queen Anne’s lace:

Once everything was finally outlined in a black satin stitch, I tore away all the stabilizer, and I free motion embroidered the irregular swirl design inside  the flowers.  I then  decided that these giant flowers really needed to be trapuntoed.  I  was really kicking myself at that point, as I’d thought long and hard about the option of trapunto before I added that satin stitching (since I could do the satin stitching and add the trapunto layer at the same time), and I’d decided against it.  Rats!  So I pinned some batting behind all the applique and added a trapunto layer by outlining everything with invisible thread.  I cut away all the excess batting and then basted my final quilt sandwich together.   I’m picking this project back up now, and here is the beginning of outlining those large appliques, and you can see how the trapunto layer helps emphasize the applique shapes:

Fun, fun, fun!  And this is before the background fill stitching has even started!

Filed under Free Motion Embroidery, Free Motion Quilting, Trapunto . 8 Comments

Beginning the Trapunto on My Swirly Flower Quilt

Remember this swirly flower quilt?  Well, I was able to start working on some of the trapunto late last week.  There really is a ton of thread work that needs to be completed on this top before it can be placed in a  quilt sandwich (and actually, I may add a border later as well, but that’s another issue).  When I have a top like this, it’s easy to develop somewhat of a defeatist mindset because the work ahead seems so overwhelming…I can’t let myself even go there or I’ll never get it done!  What I do, instead, is approach it with tiny goals for any given session.  This allows me to get the work done and feel really positive about it at the same time.  Here’s how I do it…

I pick 3 flowers that I’m going to embroider within a session and pin a scrap of batting behind each one, just like the flower above and this one below:

The third flower was similar to the first, just a different size, so I won’t post a photo of it.  But, what I do want you to notice is that these flowers have many colors in common.  (Actually, most of these flowers on this top have lots of colors in common, so it’s a bad example!)  My point is that if you had flowers that were more varied, you’d want to choose a few that had at least 2 colors in common to minimize your thread changes.

Next, I stitched just inside the perimeter of the long, skinny yellow applique highlights with yellow Invisifil thread.  Details like this are so fine that I would mess this applique up if I tried to do a satin stitch or any other edge finishing design, (but my new best friend Mr. Embroidery machine could do this!), so I’m just going in to stitch the edges down for functional, not decorative reasons.  I’m using that super lightweight Invisifil thread because I don’t want to draw any attention to this boring thread work, and once I finish the yellow appliques on the first flower, I stitch any yellow appliques on the others.  Here’s an example of what I just described:

Can you see the travel lines or jump lines at the base of each yellow applique?  If not, look at this closeup shot, and keep your eyes focused by the center section:

It saves time to just “jump” from one applique to the next rather than stopping the thread line, trimming, then starting a new thread line, so this is what it looks like once those yellow appliques have been in-lined. The only thing you’ve got to remember to do is to have some short, tiny stitches at the beginning and ending of each of those appliques.  You can see that I’ll also need to trim those jump lines before I do anything to the large blue petals, or I’ll leave a mess behind in my wake.

Once you finish all the thread work in one colorway for all 3 flowers, you flip to another thread color and begin all over again, moving from 1 flower to the next.  Here’s an example of a finished flower:

…and here’s an axample of what the backside looks like of  flower that’s done:

One of the best things about doing this kind of work is that it’s the perfect place to use up all those “short bobbins” where you have just a limited amount of thread left on a bobbin.  As I have been working on this top, I’ve also been working on the tulip quilt trapunto, so I’ve emptied out a ton of short bobbins.  This bowl had no empty bobbins when I started:

…and now I have a goldmine of bobbins, all ready to get back into the game!

Filed under Appli-K-Kutz Fabric Cutting Dies, Free Motion Embroidery, Free Motion Quilting, Sizzix, Trapunto . 6 Comments